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Isobel scoops £5m Jackpotjoy ad task
Campaign - 12.1.12
Isobel beat M&C Saatchi, DraftFCB and Creature in a pitch handled by the intermediary Oystercatchers.
The agency will create a campaign for the brand, which will include TV and online, to launch in April.
Beta previously handled the business, having been appointed in July 2009, and launched a campaign starring Barbara Windsor.
Maxus will continue to handle media planning and buying for the brand.
Michael Saunders, the managing director of Jackpotjoy, said: “We have been tremendously impressed with Isobel’s creativity and its shared ambition for the brand.”
Paul Houlding, the chief executive of Isobel, said: “Jackpotjoy is a great brand and we’ve got some cracking creative campaigns up our sleeve. We look forward to a successful long-term relationship.”
To see the article, please click here.

Isobel scoops £5m Jackpotjoy ad task

Campaign - 12.1.12

Isobel beat M&C Saatchi, DraftFCB and Creature in a pitch handled by the intermediary Oystercatchers.

The agency will create a campaign for the brand, which will include TV and online, to launch in April.

Beta previously handled the business, having been appointed in July 2009, and launched a campaign starring Barbara Windsor.

Maxus will continue to handle media planning and buying for the brand.

Michael Saunders, the managing director of Jackpotjoy, said: “We have been tremendously impressed with Isobel’s creativity and its shared ambition for the brand.”

Paul Houlding, the chief executive of Isobel, said: “Jackpotjoy is a great brand and we’ve got some cracking creative campaigns up our sleeve. We look forward to a successful long-term relationship.”

To see the article, please click here.

FamilyBrands Survey 2011
This years FamilyBrands survey has recently been published. To see the full results and findings, please visit familybrands.co.uk

FamilyBrands Survey 2011

This years FamilyBrands survey has recently been published. To see the full results and findings, please visit familybrands.co.uk

Family brands can reap rewards
Marketing Week - 10.11.11
Brands that show family values make stronger connections with consumers, a survey exclusive to Marketing Week reveals.
Britain’s families are more stretched than ever, with the average household income set to fall by around £2,000 a year before 2013, the Institute for Fiscal Studies predicted last month.
Meanwhile, prime minister David Cameron has made it his mission to place 120,000 of the country’s most troubled families in an intervention programme, linking the concept of strong families to a strong society.
The role of brands as extensions of a family through the values they portray is becoming increasingly important, according to advertising agency Isobel. For the third year in a row, it has run its FamilyBrands league table, showing the brands that come out on top in demonstrating traits such as caring, listening, social responsibility and overall family values.
Marks & Spencer, Boots, Fairy, the Co-op and Innocent make up the top five out of 107 brands, according to the survey of 1,500 people, which YouGov ran for Isobel last month.
The top five’s big movers include M&S in first place, climbing from sixth last year. M&S also took the top spot in the individual criteria of “good listener” and “family values” and improved its scores across all traits, according to Steve Hastings, planning partner at Isobel.
“M&S is interesting because there was a time when young people didn’t want to go near it because they felt it was only a brand for their parents,” Hastings explains.
He adds that the retailer has shed its staid image with glossy advertising focusing on trendy fashion and upmarket food, using celebrities such as Twiggy and Dannii Minogue.
“It’s still middle England, cosy and comfortable, but it’s not as fusty as it used to be. M&S is seeing the benefits of this change. It has a great presence on the high street and is a part of people’s everyday lives, which is something some brands don’t have,” Hastings adds.
John Lewis has consolidated its place in the top 10 at sixth, jumping from number 12 last year. Retail overall was voted the top family category, with utilities coming last. However, British Gas managed to stay ahead of rivals EDF Energy, E.on and Npower (see The Frontline, below).
Also debuting is Innocent, at number five overall, perhaps due to the extension of its range beyond smoothies to food and juice. It rates highly for being caring, socially responsible and a good listener.
“Innocent has been helped by the fact that it has a range that is being heavily advertised at the moment,” says Hastings. “It has extended its presence and reach. Its advertising has been highly visible so this has all contributed to the brand making a big leap in the league table.”
Innocent: Has reaped the benefits of extensive TV advertising for its food and juice products
Also in notable positions are Persil (number 12, up from 22 last year), Andrex (16, up from 23), and Nivea (17, up from 20).
While global brands British Airways (37), McDonald’s (48) and Coca-Cola (50) lag further down, they have all improved their position from last year. BA is up from 60 and Coke from 63, while McDonald’s has leapt 20 places from 70.
McDonald’s strategy of focusing on community, sustainability and revamping its store environment is paying off, says Hastings.
“McDonald’s has been very clever in its strategy. It has improved the visibility of the ’better’ side of the menu, such as salad, and is open about its nutritional information. This is backed up by investing in messages around the origins of the food.
“It has its semiotics right it is very modern and appears in touch with the way we want to live now. Moving away from the brash, plastic brand it used to be has worked well.”
British Airways has improved its ranking over the past two years, despite negative press driven by staff strikes and its merger with Iberia.
“In the lead-up to the Olympics, perhaps we are feeling quite proud to be British and BA is a very visible carrier of the flag,” Hastings suggests. “People feel that BA displays family values more than its cheaper rivals.”
Those cut-price competitors make up the tail-end of the FamilyBrands ranking. EasyJet is at 99, up one place from last year, while Ryanair is at 106, just ahead of the last-placed Daily Star.
But the two budget airlines need not despair. Ryanair’s cheap and cheerful exterior is an aspect of its no-frills brand positioning that people expect and for the most part embrace, says Hastings. He believes easyJet shows “tentative signs” of becoming a family brand a feeling seconded by Mumsnet co-founder Carrie Longton (see The Frontline, below).
“EasyJet has moved up five places in the good listeners category and 20 places in family values,” Hastings reveals.
Digital brands are also firmly entrenched in the league table. Google is at 21, Facebook at 59, Twitter at 82 and YouTube at 88. While Facebook has fallen from 43 last year, Twitter has climbed 10 places. Hastings puts this down to Facebook encouraging digital over personal communication, while Twitter has become less polarising and more mainstream.
These brands may have got here via their entertainment factor, but this will be overridden by their roles as educators and guardians of internet safety, says Mumsnet’s Longton. She cites TalkTalk as an example of a brand that gains “Mumsnetters’ approval” for its HomeSafe website blocking initiative.
Marks and Spencer, Cosy and family oriented, but not fusty
Out of the brands that have fallen significantly in the table, perhaps the most surprising is Tesco, down from 17 last year to 24. It ranks behind all its supermarket rivals, including Sainsbury’s, Morrisons and Asda.
“In 2009, Tesco was the leading price fighter, the people’s champion. Does it still stand out as the champion of pricing?” Hastings wonders.
Tesco’s dip in performance could be linked to a possible slump in its connection with its core audience of family shoppers, shown by a 0.5% drop in sales for the first half of the year.
Hastings says demonstrating strong family values is not a guarantee of profitability, but he contends that connecting to consumers via such a relationship is what makes them stay with you “through thick and thin”.
“Marketers use a lot of metaphors to configure the relationship between people,” says Hastings. “So we thought it was interesting to apply the family metaphor in terms of how brands fit into our lives.
“As incomes are stretched, we’re falling back on people and brands we trust. The basic values that people might be looking for are security, comfort and feeling like part of the family.”
Brands can take this literally, Hastings says, by developing products and messaging that are directly relevant to families, or take a more conceptual approach by demonstrating family values on a wider level. They can align with causes that help families, or create family based events and initiatives.
As Mumsnet’s Longton notes, altering a brand’s approach to family consumers also pays off.
Hastings says: “We are trying to build an emotional connection between consumers and brands and sharing a value set is a strong way of doing that.”

To see full results and findings, please click here.

Family brands can reap rewards

Marketing Week - 10.11.11

Brands that show family values make stronger connections with consumers, a survey exclusive to Marketing Week reveals.

Britain’s families are more stretched than ever, with the average household income set to fall by around £2,000 a year before 2013, the Institute for Fiscal Studies predicted last month.

Meanwhile, prime minister David Cameron has made it his mission to place 120,000 of the country’s most troubled families in an intervention programme, linking the concept of strong families to a strong society.

The role of brands as extensions of a family through the values they portray is becoming increasingly important, according to advertising agency Isobel. For the third year in a row, it has run its FamilyBrands league table, showing the brands that come out on top in demonstrating traits such as caring, listening, social responsibility and overall family values.

Marks & Spencer, Boots, Fairy, the Co-op and Innocent make up the top five out of 107 brands, according to the survey of 1,500 people, which YouGov ran for Isobel last month.

The top five’s big movers include M&S in first place, climbing from sixth last year. M&S also took the top spot in the individual criteria of “good listener” and “family values” and improved its scores across all traits, according to Steve Hastings, planning partner at Isobel.

“M&S is interesting because there was a time when young people didn’t want to go near it because they felt it was only a brand for their parents,” Hastings explains.

He adds that the retailer has shed its staid image with glossy advertising focusing on trendy fashion and upmarket food, using celebrities such as Twiggy and Dannii Minogue.

“It’s still middle England, cosy and comfortable, but it’s not as fusty as it used to be. M&S is seeing the benefits of this change. It has a great presence on the high street and is a part of people’s everyday lives, which is something some brands don’t have,” Hastings adds.

John Lewis has consolidated its place in the top 10 at sixth, jumping from number 12 last year. Retail overall was voted the top family category, with utilities coming last. However, British Gas managed to stay ahead of rivals EDF Energy, E.on and Npower (see The Frontline, below).

Also debuting is Innocent, at number five overall, perhaps due to the extension of its range beyond smoothies to food and juice. It rates highly for being caring, socially responsible and a good listener.

“Innocent has been helped by the fact that it has a range that is being heavily advertised at the moment,” says Hastings. “It has extended its presence and reach. Its advertising has been highly visible so this has all contributed to the brand making a big leap in the league table.”

Innocent: Has reaped the benefits of extensive TV advertising for its food and juice products

Also in notable positions are Persil (number 12, up from 22 last year), Andrex (16, up from 23), and Nivea (17, up from 20).

While global brands British Airways (37), McDonald’s (48) and Coca-Cola (50) lag further down, they have all improved their position from last year. BA is up from 60 and Coke from 63, while McDonald’s has leapt 20 places from 70.

McDonald’s strategy of focusing on community, sustainability and revamping its store environment is paying off, says Hastings.

“McDonald’s has been very clever in its strategy. It has improved the visibility of the ’better’ side of the menu, such as salad, and is open about its nutritional information. This is backed up by investing in messages around the origins of the food.

“It has its semiotics right it is very modern and appears in touch with the way we want to live now. Moving away from the brash, plastic brand it used to be has worked well.”

British Airways has improved its ranking over the past two years, despite negative press driven by staff strikes and its merger with Iberia.

“In the lead-up to the Olympics, perhaps we are feeling quite proud to be British and BA is a very visible carrier of the flag,” Hastings suggests. “People feel that BA displays family values more than its cheaper rivals.”

Those cut-price competitors make up the tail-end of the FamilyBrands ranking. EasyJet is at 99, up one place from last year, while Ryanair is at 106, just ahead of the last-placed Daily Star.

But the two budget airlines need not despair. Ryanair’s cheap and cheerful exterior is an aspect of its no-frills brand positioning that people expect and for the most part embrace, says Hastings. He believes easyJet shows “tentative signs” of becoming a family brand a feeling seconded by Mumsnet co-founder Carrie Longton (see The Frontline, below).

“EasyJet has moved up five places in the good listeners category and 20 places in family values,” Hastings reveals.

Digital brands are also firmly entrenched in the league table. Google is at 21, Facebook at 59, Twitter at 82 and YouTube at 88. While Facebook has fallen from 43 last year, Twitter has climbed 10 places. Hastings puts this down to Facebook encouraging digital over personal communication, while Twitter has become less polarising and more mainstream.

These brands may have got here via their entertainment factor, but this will be overridden by their roles as educators and guardians of internet safety, says Mumsnet’s Longton. She cites TalkTalk as an example of a brand that gains “Mumsnetters’ approval” for its HomeSafe website blocking initiative.

Marks and Spencer, Cosy and family oriented, but not fusty

Out of the brands that have fallen significantly in the table, perhaps the most surprising is Tesco, down from 17 last year to 24. It ranks behind all its supermarket rivals, including Sainsbury’s, Morrisons and Asda.

“In 2009, Tesco was the leading price fighter, the people’s champion. Does it still stand out as the champion of pricing?” Hastings wonders.

Tesco’s dip in performance could be linked to a possible slump in its connection with its core audience of family shoppers, shown by a 0.5% drop in sales for the first half of the year.

Hastings says demonstrating strong family values is not a guarantee of profitability, but he contends that connecting to consumers via such a relationship is what makes them stay with you “through thick and thin”.

“Marketers use a lot of metaphors to configure the relationship between people,” says Hastings. “So we thought it was interesting to apply the family metaphor in terms of how brands fit into our lives.

“As incomes are stretched, we’re falling back on people and brands we trust. The basic values that people might be looking for are security, comfort and feeling like part of the family.”

Brands can take this literally, Hastings says, by developing products and messaging that are directly relevant to families, or take a more conceptual approach by demonstrating family values on a wider level. They can align with causes that help families, or create family based events and initiatives.

As Mumsnet’s Longton notes, altering a brand’s approach to family consumers also pays off.

Hastings says: “We are trying to build an emotional connection between consumers and brands and sharing a value set is a strong way of doing that.”

To see full results and findings, please click here.

Isobel create ‘handmade’ ad for Kettle Chips
Popsop.com – 10.10.11
 Isobel have created a new campaign for Kettle which aims to re-assert Kettle’s position as the ultimate hand cooked chip.
Building on the ‘Simple is Better’ positioning, the three executions feature classic Kettle Chips flavours—Chilli, Cheese & Onion and Salt & Vinegar—with the image of the ingredients created by a montage of hand prints. The three ads also include the end line ‘The hand cooked chip’.
Rob Fletcher, Creative Partner, Isobel comments, “We wanted to create a series of ads to communicate the essence and charm of ‘homemade’. This is advertising at its most confident-paired back, simple and straightforward it exudes authenticity which is at the heart of the Kettle brand.”
The ads will run as full-page ads in national press in a six-week burst from October 3 with further executions to follow. Andrew Slamin, Marketing Director, Kettle Foods says, “We believe these ads communicate the essence of the brand in a simple and compelling way and should achieve real standout.”

Isobel create ‘handmade’ ad for Kettle Chips

Popsop.com – 10.10.11

 Isobel have created a new campaign for Kettle which aims to re-assert Kettle’s position as the ultimate hand cooked chip.

Building on the ‘Simple is Better’ positioning, the three executions feature classic Kettle Chips flavours—Chilli, Cheese & Onion and Salt & Vinegar—with the image of the ingredients created by a montage of hand prints. The three ads also include the end line ‘The hand cooked chip’.

Rob Fletcher, Creative Partner, Isobel comments, We wanted to create a series of ads to communicate the essence and charm of ‘homemade’. This is advertising at its most confident-paired back, simple and straightforward it exudes authenticity which is at the heart of the Kettle brand.”

The ads will run as full-page ads in national press in a six-week burst from October 3 with further executions to follow. Andrew Slamin, Marketing Director, Kettle Foods says, We believe these ads communicate the essence of the brand in a simple and compelling way and should achieve real standout.”

Power dressing: Paul Houlding
FT.com – 2.9.11
Outfits need to be occasionless for those who meet both executives and creatives.
Paul Houlding established the independent advertising agency Isobel along with his partners in 2003, working with brands such as Kettle Chips, Bernard Matthews and Grand Marnier.
Suit by Armani
I dress informally and for comfort, because one moment I could be talking to a chief executive in a business environment and the next a creative director in a creative environment, so my outfit needs to be occasionless. I treat work clothes like a uniform – three identical Armani suits, and I mostly wear shades of black or blue. I never wear a tie because it feels constricted and I think you can still be smart without one, and sometimes I’ll wear a suit jacket with jeans if I’m travelling. I do love dressing up formally for black-tie events, though.
www.giorgioarmani.com
Shirt by Thomas Pink
If I’m feeling adventurous I’ll wear a pink shirt, but mostly it’s blue or black. There has to be no starchiness about it, and it’s always a single cuff in a classic fit. I have about eight versions of the same shirt in the same size. Now when I go into the shop the sales assistant just hands me the shirt. I’m not a great shopper, but I have a sort of uniform so I can concentrate on other things. Colour matching – that’s hard.
www.thomaspink.com
Shoes by Clarks Originals
I’ve been through Church’s and trainers but these black desert boots are my favourite shoes – I have two pairs. Occasionally I’ll wear slip-on trainers by Agnès B – they add a bit of style without being pompously formal. I think we’re more creative dressers in advertising because of the nature of the job.
www.clarks.co.uk/originals
Watch by Longines
This was given to me by my wife. I like the simplicity – no big ostentatious watch face. It has an understated elegance.
www.longines.com
Glasses by Lafont
I like these because they feel Parisian, slightly 1950s. And they don’t make me look middle-aged. They’re actually my first pair of glasses. I love France and Parisian style, it’s elegant and understated.
www.lafont.com
Wedding ring from Waltons Jewellers
This is a second-hand one from an antiques shop in Cardiff. My wife and I bought the same one on the same day, rounded yellow gold. Really simple, really plain.

Power dressing: Paul Houlding

FT.com – 2.9.11

Outfits need to be occasionless for those who meet both executives and creatives.

Paul Houlding established the independent advertising agency Isobel along with his partners in 2003, working with brands such as Kettle Chips, Bernard Matthews and Grand Marnier.

Suit by Armani

I dress informally and for comfort, because one moment I could be talking to a chief executive in a business environment and the next a creative director in a creative environment, so my outfit needs to be occasionless. I treat work clothes like a uniform – three identical Armani suits, and I mostly wear shades of black or blue. I never wear a tie because it feels constricted and I think you can still be smart without one, and sometimes I’ll wear a suit jacket with jeans if I’m travelling. I do love dressing up formally for black-tie events, though.

www.giorgioarmani.com

Shirt by Thomas Pink

If I’m feeling adventurous I’ll wear a pink shirt, but mostly it’s blue or black. There has to be no starchiness about it, and it’s always a single cuff in a classic fit. I have about eight versions of the same shirt in the same size. Now when I go into the shop the sales assistant just hands me the shirt. I’m not a great shopper, but I have a sort of uniform so I can concentrate on other things. Colour matching – that’s hard.

www.thomaspink.com

Shoes by Clarks Originals

I’ve been through Church’s and trainers but these black desert boots are my favourite shoes – I have two pairs. Occasionally I’ll wear slip-on trainers by Agnès B – they add a bit of style without being pompously formal. I think we’re more creative dressers in advertising because of the nature of the job.

www.clarks.co.uk/originals

Watch by Longines

This was given to me by my wife. I like the simplicity – no big ostentatious watch face. It has an understated elegance.

www.longines.com

Glasses by Lafont

I like these because they feel Parisian, slightly 1950s. And they don’t make me look middle-aged. They’re actually my first pair of glasses. I love France and Parisian style, it’s elegant and understated.

www.lafont.com

Wedding ring from Waltons Jewellers

This is a second-hand one from an antiques shop in Cardiff. My wife and I bought the same one on the same day, rounded yellow gold. Really simple, really plain.

Kettle Chips ‘the hand cooked chip’ by Isobel
Campaign - 7.10.11
  
Isobel has created a press campaign for Kettle Chips.
 Three executions feature classic Kettle seasonings – Sweet Chilli, Mature Cheddar & Red Onion and Sea Salt & Balsamic Vinegar – with the image of the ingredients created by a montage of hand prints.
Full-page ads in the national press will run for six weeks from 3 October with further executions to follow.

Kettle Chips ‘the hand cooked chip’ by Isobel

Campaign - 7.10.11

Isobel has created a press campaign for Kettle Chips.

 Three executions feature classic Kettle seasonings – Sweet Chilli, Mature Cheddar & Red Onion and Sea Salt & Balsamic Vinegar – with the image of the ingredients created by a montage of hand prints.

Full-page ads in the national press will run for six weeks from 3 October with further executions to follow.

 
Isobel creates ‘handmade’ ad for Kettle Chips
The Drum - 6.10.11

Isobel has created a new campaign for Kettle which promotes the crisp brand as the ultimate hand cooked chip.

The three ads show Kettle’s chilli, cheese & onion and salt & vinegar flavours with the image of the ingredients created by a montage of hand prints.

Rob Fletcher, creative partner at Isobel, said: “We wanted to create a series of ads to communicate the essence and charm of ‘homemade’.”

The full-page ads will run in the national press in a six-week burst from 3 October with further executions to follow.

Andrew Slamin, marketing director at Kettle Foods, said: “We believe these ads communicate the essence of the brand in a simple and compelling way and should achieve real standout.”


To see article, please click here.

Isobel creates ‘handmade’ ad for Kettle Chips

The Drum - 6.10.11

Isobel has created a new campaign for Kettle which promotes the crisp brand as the ultimate hand cooked chip.

The three ads show Kettle’s chilli, cheese & onion and salt & vinegar flavours with the image of the ingredients created by a montage of hand prints.

Rob Fletcher, creative partner at Isobel, said: “We wanted to create a series of ads to communicate the essence and charm of ‘homemade’.”

The full-page ads will run in the national press in a six-week burst from 3 October with further executions to follow.

Andrew Slamin, marketing director at Kettle Foods, said: “We believe these ads communicate the essence of the brand in a simple and compelling way and should achieve real standout.”

To see article, please click here.

Lunchtime Masterclass with Barbara Waite
Stylist.com 7.10.11

Stylist recently hosted a Lunchtime Masterclass with Barbara Waite, managing director of top London advertising agency Isobel.
Australian Barbara started her career at Saatchi & Saatchi in Melbourne following a degree in Business at La Trobe University.
Barbara then moved to George Patterson Bates where she worked on Australia’s largest retailer Myer Grace Bros, and the National Australia Bank before making the move to the Bates office in London in 2001.
Here Barbara worked on Safeway and followed the business to Clemmow Hornby Inge when it moved in 2002. Barbara’s five years at CHI saw her working across many brands from British Gas, Anchor Butter and Royal Bank of Scotland to leading the team who produced award winning work for The Big Yellow Storage Company and The Princes Trust.
Barbara moved to The Red Brick Road in 2007 as Business Director on Tesco Bank, Brewin Dolphin and Thinkbox.
Barbara has steered Tesco bank through its long journey as a white label transactional insurance based business to the full service, consumer- led marketing business it is fast becoming, and multi-award winning campaigns for Thinkbox.
Barbara is now MD of Isobel - one of the UK’s leading independent agencies - and is responsible for a team of 35 as well as managing the day-to-day running of the agency. As MD, Barbara oversees a number of premier accounts including: Grand Marnier; Blossom Hill; Swinton and Kettle.
Please click here to see a transcript of the web chat.

Lunchtime Masterclass with Barbara Waite

Stylist.com 7.10.11

Stylist recently hosted a Lunchtime Masterclass with Barbara Waite, managing director of top London advertising agency Isobel.

Australian Barbara started her career at Saatchi & Saatchi in Melbourne following a degree in Business at La Trobe University.

Barbara then moved to George Patterson Bates where she worked on Australia’s largest retailer Myer Grace Bros, and the National Australia Bank before making the move to the Bates office in London in 2001.

Here Barbara worked on Safeway and followed the business to Clemmow Hornby Inge when it moved in 2002. Barbara’s five years at CHI saw her working across many brands from British Gas, Anchor Butter and Royal Bank of Scotland to leading the team who produced award winning work for The Big Yellow Storage Company and The Princes Trust.

Barbara moved to The Red Brick Road in 2007 as Business Director on Tesco Bank, Brewin Dolphin and Thinkbox.

Barbara has steered Tesco bank through its long journey as a white label transactional insurance based business to the full service, consumer- led marketing business it is fast becoming, and multi-award winning campaigns for Thinkbox.

Barbara is now MD of Isobel - one of the UK’s leading independent agencies - and is responsible for a team of 35 as well as managing the day-to-day running of the agency. As MD, Barbara oversees a number of premier accounts including: Grand Marnier; Blossom Hill; Swinton and Kettle.

Please click here to see a transcript of the web chat.

‘Good Food Would Choose Bordeaux’ in Campaign, 29.09.11
 
 
Isobel has created two print executions as part of its “good food would choose Bordeaux” campaign.
 They will be running in national press (The Sunday Telegraph, The Observer, The Guardian), Metro and various food publications including BBC Good Food.

‘Good Food Would Choose Bordeaux’ in Campaign, 29.09.11

 

Isobel has created two print executions as part of its “good food would choose Bordeaux” campaign.

 They will be running in national press (The Sunday Telegraph, The Observer, The Guardian), Metro and various food publications including BBC Good Food.

The Grocer Awards 2011
Congratulations to the Grand Marnier team at isobel!
‘Welcome to the Sunset Hour’, an integrated campaign for Grand Marnier has been shortlisted for the The Grocer’s ‘Brand Experience’ Campaign of the Year.
To see the full Shortlist, please click here.

The Grocer Awards 2011

Congratulations to the Grand Marnier team at isobel!

‘Welcome to the Sunset Hour’, an integrated campaign for Grand Marnier has been shortlisted for the The Grocer’s ‘Brand Experience’ Campaign of the Year.

To see the full Shortlist, please click here.

Isobel scoops £5m Jackpotjoy ad task
Campaign - 12.1.12
Isobel beat M&C Saatchi, DraftFCB and Creature in a pitch handled by the intermediary Oystercatchers.
The agency will create a campaign for the brand, which will include TV and online, to launch in April.
Beta previously handled the business, having been appointed in July 2009, and launched a campaign starring Barbara Windsor.
Maxus will continue to handle media planning and buying for the brand.
Michael Saunders, the managing director of Jackpotjoy, said: “We have been tremendously impressed with Isobel’s creativity and its shared ambition for the brand.”
Paul Houlding, the chief executive of Isobel, said: “Jackpotjoy is a great brand and we’ve got some cracking creative campaigns up our sleeve. We look forward to a successful long-term relationship.”
To see the article, please click here.

Isobel scoops £5m Jackpotjoy ad task

Campaign - 12.1.12

Isobel beat M&C Saatchi, DraftFCB and Creature in a pitch handled by the intermediary Oystercatchers.

The agency will create a campaign for the brand, which will include TV and online, to launch in April.

Beta previously handled the business, having been appointed in July 2009, and launched a campaign starring Barbara Windsor.

Maxus will continue to handle media planning and buying for the brand.

Michael Saunders, the managing director of Jackpotjoy, said: “We have been tremendously impressed with Isobel’s creativity and its shared ambition for the brand.”

Paul Houlding, the chief executive of Isobel, said: “Jackpotjoy is a great brand and we’ve got some cracking creative campaigns up our sleeve. We look forward to a successful long-term relationship.”

To see the article, please click here.

FamilyBrands Survey 2011
This years FamilyBrands survey has recently been published. To see the full results and findings, please visit familybrands.co.uk

FamilyBrands Survey 2011

This years FamilyBrands survey has recently been published. To see the full results and findings, please visit familybrands.co.uk

Family brands can reap rewards
Marketing Week - 10.11.11
Brands that show family values make stronger connections with consumers, a survey exclusive to Marketing Week reveals.
Britain’s families are more stretched than ever, with the average household income set to fall by around £2,000 a year before 2013, the Institute for Fiscal Studies predicted last month.
Meanwhile, prime minister David Cameron has made it his mission to place 120,000 of the country’s most troubled families in an intervention programme, linking the concept of strong families to a strong society.
The role of brands as extensions of a family through the values they portray is becoming increasingly important, according to advertising agency Isobel. For the third year in a row, it has run its FamilyBrands league table, showing the brands that come out on top in demonstrating traits such as caring, listening, social responsibility and overall family values.
Marks & Spencer, Boots, Fairy, the Co-op and Innocent make up the top five out of 107 brands, according to the survey of 1,500 people, which YouGov ran for Isobel last month.
The top five’s big movers include M&S in first place, climbing from sixth last year. M&S also took the top spot in the individual criteria of “good listener” and “family values” and improved its scores across all traits, according to Steve Hastings, planning partner at Isobel.
“M&S is interesting because there was a time when young people didn’t want to go near it because they felt it was only a brand for their parents,” Hastings explains.
He adds that the retailer has shed its staid image with glossy advertising focusing on trendy fashion and upmarket food, using celebrities such as Twiggy and Dannii Minogue.
“It’s still middle England, cosy and comfortable, but it’s not as fusty as it used to be. M&S is seeing the benefits of this change. It has a great presence on the high street and is a part of people’s everyday lives, which is something some brands don’t have,” Hastings adds.
John Lewis has consolidated its place in the top 10 at sixth, jumping from number 12 last year. Retail overall was voted the top family category, with utilities coming last. However, British Gas managed to stay ahead of rivals EDF Energy, E.on and Npower (see The Frontline, below).
Also debuting is Innocent, at number five overall, perhaps due to the extension of its range beyond smoothies to food and juice. It rates highly for being caring, socially responsible and a good listener.
“Innocent has been helped by the fact that it has a range that is being heavily advertised at the moment,” says Hastings. “It has extended its presence and reach. Its advertising has been highly visible so this has all contributed to the brand making a big leap in the league table.”
Innocent: Has reaped the benefits of extensive TV advertising for its food and juice products
Also in notable positions are Persil (number 12, up from 22 last year), Andrex (16, up from 23), and Nivea (17, up from 20).
While global brands British Airways (37), McDonald’s (48) and Coca-Cola (50) lag further down, they have all improved their position from last year. BA is up from 60 and Coke from 63, while McDonald’s has leapt 20 places from 70.
McDonald’s strategy of focusing on community, sustainability and revamping its store environment is paying off, says Hastings.
“McDonald’s has been very clever in its strategy. It has improved the visibility of the ’better’ side of the menu, such as salad, and is open about its nutritional information. This is backed up by investing in messages around the origins of the food.
“It has its semiotics right it is very modern and appears in touch with the way we want to live now. Moving away from the brash, plastic brand it used to be has worked well.”
British Airways has improved its ranking over the past two years, despite negative press driven by staff strikes and its merger with Iberia.
“In the lead-up to the Olympics, perhaps we are feeling quite proud to be British and BA is a very visible carrier of the flag,” Hastings suggests. “People feel that BA displays family values more than its cheaper rivals.”
Those cut-price competitors make up the tail-end of the FamilyBrands ranking. EasyJet is at 99, up one place from last year, while Ryanair is at 106, just ahead of the last-placed Daily Star.
But the two budget airlines need not despair. Ryanair’s cheap and cheerful exterior is an aspect of its no-frills brand positioning that people expect and for the most part embrace, says Hastings. He believes easyJet shows “tentative signs” of becoming a family brand a feeling seconded by Mumsnet co-founder Carrie Longton (see The Frontline, below).
“EasyJet has moved up five places in the good listeners category and 20 places in family values,” Hastings reveals.
Digital brands are also firmly entrenched in the league table. Google is at 21, Facebook at 59, Twitter at 82 and YouTube at 88. While Facebook has fallen from 43 last year, Twitter has climbed 10 places. Hastings puts this down to Facebook encouraging digital over personal communication, while Twitter has become less polarising and more mainstream.
These brands may have got here via their entertainment factor, but this will be overridden by their roles as educators and guardians of internet safety, says Mumsnet’s Longton. She cites TalkTalk as an example of a brand that gains “Mumsnetters’ approval” for its HomeSafe website blocking initiative.
Marks and Spencer, Cosy and family oriented, but not fusty
Out of the brands that have fallen significantly in the table, perhaps the most surprising is Tesco, down from 17 last year to 24. It ranks behind all its supermarket rivals, including Sainsbury’s, Morrisons and Asda.
“In 2009, Tesco was the leading price fighter, the people’s champion. Does it still stand out as the champion of pricing?” Hastings wonders.
Tesco’s dip in performance could be linked to a possible slump in its connection with its core audience of family shoppers, shown by a 0.5% drop in sales for the first half of the year.
Hastings says demonstrating strong family values is not a guarantee of profitability, but he contends that connecting to consumers via such a relationship is what makes them stay with you “through thick and thin”.
“Marketers use a lot of metaphors to configure the relationship between people,” says Hastings. “So we thought it was interesting to apply the family metaphor in terms of how brands fit into our lives.
“As incomes are stretched, we’re falling back on people and brands we trust. The basic values that people might be looking for are security, comfort and feeling like part of the family.”
Brands can take this literally, Hastings says, by developing products and messaging that are directly relevant to families, or take a more conceptual approach by demonstrating family values on a wider level. They can align with causes that help families, or create family based events and initiatives.
As Mumsnet’s Longton notes, altering a brand’s approach to family consumers also pays off.
Hastings says: “We are trying to build an emotional connection between consumers and brands and sharing a value set is a strong way of doing that.”

To see full results and findings, please click here.

Family brands can reap rewards

Marketing Week - 10.11.11

Brands that show family values make stronger connections with consumers, a survey exclusive to Marketing Week reveals.

Britain’s families are more stretched than ever, with the average household income set to fall by around £2,000 a year before 2013, the Institute for Fiscal Studies predicted last month.

Meanwhile, prime minister David Cameron has made it his mission to place 120,000 of the country’s most troubled families in an intervention programme, linking the concept of strong families to a strong society.

The role of brands as extensions of a family through the values they portray is becoming increasingly important, according to advertising agency Isobel. For the third year in a row, it has run its FamilyBrands league table, showing the brands that come out on top in demonstrating traits such as caring, listening, social responsibility and overall family values.

Marks & Spencer, Boots, Fairy, the Co-op and Innocent make up the top five out of 107 brands, according to the survey of 1,500 people, which YouGov ran for Isobel last month.

The top five’s big movers include M&S in first place, climbing from sixth last year. M&S also took the top spot in the individual criteria of “good listener” and “family values” and improved its scores across all traits, according to Steve Hastings, planning partner at Isobel.

“M&S is interesting because there was a time when young people didn’t want to go near it because they felt it was only a brand for their parents,” Hastings explains.

He adds that the retailer has shed its staid image with glossy advertising focusing on trendy fashion and upmarket food, using celebrities such as Twiggy and Dannii Minogue.

“It’s still middle England, cosy and comfortable, but it’s not as fusty as it used to be. M&S is seeing the benefits of this change. It has a great presence on the high street and is a part of people’s everyday lives, which is something some brands don’t have,” Hastings adds.

John Lewis has consolidated its place in the top 10 at sixth, jumping from number 12 last year. Retail overall was voted the top family category, with utilities coming last. However, British Gas managed to stay ahead of rivals EDF Energy, E.on and Npower (see The Frontline, below).

Also debuting is Innocent, at number five overall, perhaps due to the extension of its range beyond smoothies to food and juice. It rates highly for being caring, socially responsible and a good listener.

“Innocent has been helped by the fact that it has a range that is being heavily advertised at the moment,” says Hastings. “It has extended its presence and reach. Its advertising has been highly visible so this has all contributed to the brand making a big leap in the league table.”

Innocent: Has reaped the benefits of extensive TV advertising for its food and juice products

Also in notable positions are Persil (number 12, up from 22 last year), Andrex (16, up from 23), and Nivea (17, up from 20).

While global brands British Airways (37), McDonald’s (48) and Coca-Cola (50) lag further down, they have all improved their position from last year. BA is up from 60 and Coke from 63, while McDonald’s has leapt 20 places from 70.

McDonald’s strategy of focusing on community, sustainability and revamping its store environment is paying off, says Hastings.

“McDonald’s has been very clever in its strategy. It has improved the visibility of the ’better’ side of the menu, such as salad, and is open about its nutritional information. This is backed up by investing in messages around the origins of the food.

“It has its semiotics right it is very modern and appears in touch with the way we want to live now. Moving away from the brash, plastic brand it used to be has worked well.”

British Airways has improved its ranking over the past two years, despite negative press driven by staff strikes and its merger with Iberia.

“In the lead-up to the Olympics, perhaps we are feeling quite proud to be British and BA is a very visible carrier of the flag,” Hastings suggests. “People feel that BA displays family values more than its cheaper rivals.”

Those cut-price competitors make up the tail-end of the FamilyBrands ranking. EasyJet is at 99, up one place from last year, while Ryanair is at 106, just ahead of the last-placed Daily Star.

But the two budget airlines need not despair. Ryanair’s cheap and cheerful exterior is an aspect of its no-frills brand positioning that people expect and for the most part embrace, says Hastings. He believes easyJet shows “tentative signs” of becoming a family brand a feeling seconded by Mumsnet co-founder Carrie Longton (see The Frontline, below).

“EasyJet has moved up five places in the good listeners category and 20 places in family values,” Hastings reveals.

Digital brands are also firmly entrenched in the league table. Google is at 21, Facebook at 59, Twitter at 82 and YouTube at 88. While Facebook has fallen from 43 last year, Twitter has climbed 10 places. Hastings puts this down to Facebook encouraging digital over personal communication, while Twitter has become less polarising and more mainstream.

These brands may have got here via their entertainment factor, but this will be overridden by their roles as educators and guardians of internet safety, says Mumsnet’s Longton. She cites TalkTalk as an example of a brand that gains “Mumsnetters’ approval” for its HomeSafe website blocking initiative.

Marks and Spencer, Cosy and family oriented, but not fusty

Out of the brands that have fallen significantly in the table, perhaps the most surprising is Tesco, down from 17 last year to 24. It ranks behind all its supermarket rivals, including Sainsbury’s, Morrisons and Asda.

“In 2009, Tesco was the leading price fighter, the people’s champion. Does it still stand out as the champion of pricing?” Hastings wonders.

Tesco’s dip in performance could be linked to a possible slump in its connection with its core audience of family shoppers, shown by a 0.5% drop in sales for the first half of the year.

Hastings says demonstrating strong family values is not a guarantee of profitability, but he contends that connecting to consumers via such a relationship is what makes them stay with you “through thick and thin”.

“Marketers use a lot of metaphors to configure the relationship between people,” says Hastings. “So we thought it was interesting to apply the family metaphor in terms of how brands fit into our lives.

“As incomes are stretched, we’re falling back on people and brands we trust. The basic values that people might be looking for are security, comfort and feeling like part of the family.”

Brands can take this literally, Hastings says, by developing products and messaging that are directly relevant to families, or take a more conceptual approach by demonstrating family values on a wider level. They can align with causes that help families, or create family based events and initiatives.

As Mumsnet’s Longton notes, altering a brand’s approach to family consumers also pays off.

Hastings says: “We are trying to build an emotional connection between consumers and brands and sharing a value set is a strong way of doing that.”

To see full results and findings, please click here.

Isobel create ‘handmade’ ad for Kettle Chips
Popsop.com – 10.10.11
 Isobel have created a new campaign for Kettle which aims to re-assert Kettle’s position as the ultimate hand cooked chip.
Building on the ‘Simple is Better’ positioning, the three executions feature classic Kettle Chips flavours—Chilli, Cheese & Onion and Salt & Vinegar—with the image of the ingredients created by a montage of hand prints. The three ads also include the end line ‘The hand cooked chip’.
Rob Fletcher, Creative Partner, Isobel comments, “We wanted to create a series of ads to communicate the essence and charm of ‘homemade’. This is advertising at its most confident-paired back, simple and straightforward it exudes authenticity which is at the heart of the Kettle brand.”
The ads will run as full-page ads in national press in a six-week burst from October 3 with further executions to follow. Andrew Slamin, Marketing Director, Kettle Foods says, “We believe these ads communicate the essence of the brand in a simple and compelling way and should achieve real standout.”

Isobel create ‘handmade’ ad for Kettle Chips

Popsop.com – 10.10.11

 Isobel have created a new campaign for Kettle which aims to re-assert Kettle’s position as the ultimate hand cooked chip.

Building on the ‘Simple is Better’ positioning, the three executions feature classic Kettle Chips flavours—Chilli, Cheese & Onion and Salt & Vinegar—with the image of the ingredients created by a montage of hand prints. The three ads also include the end line ‘The hand cooked chip’.

Rob Fletcher, Creative Partner, Isobel comments, We wanted to create a series of ads to communicate the essence and charm of ‘homemade’. This is advertising at its most confident-paired back, simple and straightforward it exudes authenticity which is at the heart of the Kettle brand.”

The ads will run as full-page ads in national press in a six-week burst from October 3 with further executions to follow. Andrew Slamin, Marketing Director, Kettle Foods says, We believe these ads communicate the essence of the brand in a simple and compelling way and should achieve real standout.”

Power dressing: Paul Houlding
FT.com – 2.9.11
Outfits need to be occasionless for those who meet both executives and creatives.
Paul Houlding established the independent advertising agency Isobel along with his partners in 2003, working with brands such as Kettle Chips, Bernard Matthews and Grand Marnier.
Suit by Armani
I dress informally and for comfort, because one moment I could be talking to a chief executive in a business environment and the next a creative director in a creative environment, so my outfit needs to be occasionless. I treat work clothes like a uniform – three identical Armani suits, and I mostly wear shades of black or blue. I never wear a tie because it feels constricted and I think you can still be smart without one, and sometimes I’ll wear a suit jacket with jeans if I’m travelling. I do love dressing up formally for black-tie events, though.
www.giorgioarmani.com
Shirt by Thomas Pink
If I’m feeling adventurous I’ll wear a pink shirt, but mostly it’s blue or black. There has to be no starchiness about it, and it’s always a single cuff in a classic fit. I have about eight versions of the same shirt in the same size. Now when I go into the shop the sales assistant just hands me the shirt. I’m not a great shopper, but I have a sort of uniform so I can concentrate on other things. Colour matching – that’s hard.
www.thomaspink.com
Shoes by Clarks Originals
I’ve been through Church’s and trainers but these black desert boots are my favourite shoes – I have two pairs. Occasionally I’ll wear slip-on trainers by Agnès B – they add a bit of style without being pompously formal. I think we’re more creative dressers in advertising because of the nature of the job.
www.clarks.co.uk/originals
Watch by Longines
This was given to me by my wife. I like the simplicity – no big ostentatious watch face. It has an understated elegance.
www.longines.com
Glasses by Lafont
I like these because they feel Parisian, slightly 1950s. And they don’t make me look middle-aged. They’re actually my first pair of glasses. I love France and Parisian style, it’s elegant and understated.
www.lafont.com
Wedding ring from Waltons Jewellers
This is a second-hand one from an antiques shop in Cardiff. My wife and I bought the same one on the same day, rounded yellow gold. Really simple, really plain.

Power dressing: Paul Houlding

FT.com – 2.9.11

Outfits need to be occasionless for those who meet both executives and creatives.

Paul Houlding established the independent advertising agency Isobel along with his partners in 2003, working with brands such as Kettle Chips, Bernard Matthews and Grand Marnier.

Suit by Armani

I dress informally and for comfort, because one moment I could be talking to a chief executive in a business environment and the next a creative director in a creative environment, so my outfit needs to be occasionless. I treat work clothes like a uniform – three identical Armani suits, and I mostly wear shades of black or blue. I never wear a tie because it feels constricted and I think you can still be smart without one, and sometimes I’ll wear a suit jacket with jeans if I’m travelling. I do love dressing up formally for black-tie events, though.

www.giorgioarmani.com

Shirt by Thomas Pink

If I’m feeling adventurous I’ll wear a pink shirt, but mostly it’s blue or black. There has to be no starchiness about it, and it’s always a single cuff in a classic fit. I have about eight versions of the same shirt in the same size. Now when I go into the shop the sales assistant just hands me the shirt. I’m not a great shopper, but I have a sort of uniform so I can concentrate on other things. Colour matching – that’s hard.

www.thomaspink.com

Shoes by Clarks Originals

I’ve been through Church’s and trainers but these black desert boots are my favourite shoes – I have two pairs. Occasionally I’ll wear slip-on trainers by Agnès B – they add a bit of style without being pompously formal. I think we’re more creative dressers in advertising because of the nature of the job.

www.clarks.co.uk/originals

Watch by Longines

This was given to me by my wife. I like the simplicity – no big ostentatious watch face. It has an understated elegance.

www.longines.com

Glasses by Lafont

I like these because they feel Parisian, slightly 1950s. And they don’t make me look middle-aged. They’re actually my first pair of glasses. I love France and Parisian style, it’s elegant and understated.

www.lafont.com

Wedding ring from Waltons Jewellers

This is a second-hand one from an antiques shop in Cardiff. My wife and I bought the same one on the same day, rounded yellow gold. Really simple, really plain.

Kettle Chips ‘the hand cooked chip’ by Isobel
Campaign - 7.10.11
  
Isobel has created a press campaign for Kettle Chips.
 Three executions feature classic Kettle seasonings – Sweet Chilli, Mature Cheddar & Red Onion and Sea Salt & Balsamic Vinegar – with the image of the ingredients created by a montage of hand prints.
Full-page ads in the national press will run for six weeks from 3 October with further executions to follow.

Kettle Chips ‘the hand cooked chip’ by Isobel

Campaign - 7.10.11

Isobel has created a press campaign for Kettle Chips.

 Three executions feature classic Kettle seasonings – Sweet Chilli, Mature Cheddar & Red Onion and Sea Salt & Balsamic Vinegar – with the image of the ingredients created by a montage of hand prints.

Full-page ads in the national press will run for six weeks from 3 October with further executions to follow.

 
Isobel creates ‘handmade’ ad for Kettle Chips
The Drum - 6.10.11

Isobel has created a new campaign for Kettle which promotes the crisp brand as the ultimate hand cooked chip.

The three ads show Kettle’s chilli, cheese & onion and salt & vinegar flavours with the image of the ingredients created by a montage of hand prints.

Rob Fletcher, creative partner at Isobel, said: “We wanted to create a series of ads to communicate the essence and charm of ‘homemade’.”

The full-page ads will run in the national press in a six-week burst from 3 October with further executions to follow.

Andrew Slamin, marketing director at Kettle Foods, said: “We believe these ads communicate the essence of the brand in a simple and compelling way and should achieve real standout.”


To see article, please click here.

Isobel creates ‘handmade’ ad for Kettle Chips

The Drum - 6.10.11

Isobel has created a new campaign for Kettle which promotes the crisp brand as the ultimate hand cooked chip.

The three ads show Kettle’s chilli, cheese & onion and salt & vinegar flavours with the image of the ingredients created by a montage of hand prints.

Rob Fletcher, creative partner at Isobel, said: “We wanted to create a series of ads to communicate the essence and charm of ‘homemade’.”

The full-page ads will run in the national press in a six-week burst from 3 October with further executions to follow.

Andrew Slamin, marketing director at Kettle Foods, said: “We believe these ads communicate the essence of the brand in a simple and compelling way and should achieve real standout.”

To see article, please click here.

Lunchtime Masterclass with Barbara Waite
Stylist.com 7.10.11

Stylist recently hosted a Lunchtime Masterclass with Barbara Waite, managing director of top London advertising agency Isobel.
Australian Barbara started her career at Saatchi & Saatchi in Melbourne following a degree in Business at La Trobe University.
Barbara then moved to George Patterson Bates where she worked on Australia’s largest retailer Myer Grace Bros, and the National Australia Bank before making the move to the Bates office in London in 2001.
Here Barbara worked on Safeway and followed the business to Clemmow Hornby Inge when it moved in 2002. Barbara’s five years at CHI saw her working across many brands from British Gas, Anchor Butter and Royal Bank of Scotland to leading the team who produced award winning work for The Big Yellow Storage Company and The Princes Trust.
Barbara moved to The Red Brick Road in 2007 as Business Director on Tesco Bank, Brewin Dolphin and Thinkbox.
Barbara has steered Tesco bank through its long journey as a white label transactional insurance based business to the full service, consumer- led marketing business it is fast becoming, and multi-award winning campaigns for Thinkbox.
Barbara is now MD of Isobel - one of the UK’s leading independent agencies - and is responsible for a team of 35 as well as managing the day-to-day running of the agency. As MD, Barbara oversees a number of premier accounts including: Grand Marnier; Blossom Hill; Swinton and Kettle.
Please click here to see a transcript of the web chat.

Lunchtime Masterclass with Barbara Waite

Stylist.com 7.10.11

Stylist recently hosted a Lunchtime Masterclass with Barbara Waite, managing director of top London advertising agency Isobel.

Australian Barbara started her career at Saatchi & Saatchi in Melbourne following a degree in Business at La Trobe University.

Barbara then moved to George Patterson Bates where she worked on Australia’s largest retailer Myer Grace Bros, and the National Australia Bank before making the move to the Bates office in London in 2001.

Here Barbara worked on Safeway and followed the business to Clemmow Hornby Inge when it moved in 2002. Barbara’s five years at CHI saw her working across many brands from British Gas, Anchor Butter and Royal Bank of Scotland to leading the team who produced award winning work for The Big Yellow Storage Company and The Princes Trust.

Barbara moved to The Red Brick Road in 2007 as Business Director on Tesco Bank, Brewin Dolphin and Thinkbox.

Barbara has steered Tesco bank through its long journey as a white label transactional insurance based business to the full service, consumer- led marketing business it is fast becoming, and multi-award winning campaigns for Thinkbox.

Barbara is now MD of Isobel - one of the UK’s leading independent agencies - and is responsible for a team of 35 as well as managing the day-to-day running of the agency. As MD, Barbara oversees a number of premier accounts including: Grand Marnier; Blossom Hill; Swinton and Kettle.

Please click here to see a transcript of the web chat.

‘Good Food Would Choose Bordeaux’ in Campaign, 29.09.11
 
 
Isobel has created two print executions as part of its “good food would choose Bordeaux” campaign.
 They will be running in national press (The Sunday Telegraph, The Observer, The Guardian), Metro and various food publications including BBC Good Food.

‘Good Food Would Choose Bordeaux’ in Campaign, 29.09.11

 

Isobel has created two print executions as part of its “good food would choose Bordeaux” campaign.

 They will be running in national press (The Sunday Telegraph, The Observer, The Guardian), Metro and various food publications including BBC Good Food.

The Grocer Awards 2011
Congratulations to the Grand Marnier team at isobel!
‘Welcome to the Sunset Hour’, an integrated campaign for Grand Marnier has been shortlisted for the The Grocer’s ‘Brand Experience’ Campaign of the Year.
To see the full Shortlist, please click here.

The Grocer Awards 2011

Congratulations to the Grand Marnier team at isobel!

‘Welcome to the Sunset Hour’, an integrated campaign for Grand Marnier has been shortlisted for the The Grocer’s ‘Brand Experience’ Campaign of the Year.

To see the full Shortlist, please click here.

About:

isobel is an independent advertising agency based in central London. isobel works with some major household brands such as Kettle Chips, Diageo, Weight Watchers, Bernard Matthews, Werthers Original, InterCasino, Bordeaux Wines and Bullring. isobel has won numerous awards including Creative Circle, D&AD and SOLAL. For more, got to www.isobel.com

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